In a bold new cinematic project, Iraqi actress and director Dr. Awatif Naeem revealed her involvement in the film Gate Number 7. The movie, directed by Anas Munfi, brings together a fresh ensemble of young Iraqi talent. Among the rising stars are Roweida Shaheen, Saif Al-Sharif, Ghusun Haidar, and Ali Al-Karkhi. Moreover, the legendary actor Aziz Khayoun will appear in a special role, adding a powerful touch to the cast.
The mystery of Gate Number 7 is more than just a film title—it’s the central idea driving the narrative. According to Naeem, this movie stands out due to its surreal themes and symbolic undertones. In her words, it might be the first Iraqi film to explore surrealism so deeply and artistically. Rather than relying on traditional storytelling, the filmmakers chose a unique writing style and an innovative directing approach.
The story revolves around a mysterious machine that suddenly appears in the skies of Iraq, causing widespread fear. A young woman, influenced by her grandfather’s tales, journeys to Iraq through hidden passages and secret gates. Her goal? To uncover the truth behind the machine and its strange ability to strip nature of its resources. Through her journey, the audience witnesses a blend of fantasy and reality in a symbolic framework.
Awatif Naeem portrays a strange woman living in an old, isolated building. Her character guards a secret about the mystery of Gate Number 7. She knows the truth hidden in Room Number 7—a room that serves as a gateway to other worlds. This magical passage connects realities and timelines, revealing deep philosophical questions beneath the surface story.
The director, Anas Munfi, brings a wealth of experience from Canadian cinema. The mystery of Gate Number 7 marks his first film shot entirely in Iraq. His vision, paired with the energy of new actors, aims to draw audiences into a world full of symbolism, suspense, and imagination.
With its captivating premise, fresh talent, and philosophical depth, the mystery of Gate Number 7 is set to make a lasting impact on Iraqi cinema.
